Article 99 + Q&A and VIP reception

Join CinemaKC at the Screenland Medallion Theatre at Plexpod on Friday, November 9 for a special screening of the KC-set, post-Vietnam thriller. Click here for tickets and info.

Episode Six: Jennifer Seward-DeRock, Bradley J. Lincoln, I rene Delmonte, Krystal Heib, Bryan Colley

Find out what’s up with the Independent Filmmakers Coalition of K.C. and the K.C. Screenwriters group. Plus, see a local couple’s sci-fi drama and Zac Eubank’s unusual love story.

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Episode Eleven: Mary Beth Brand, Alan Handley and Devin Schwyhart

View the talents of student filmmakers from Avila University, the University of Missouri-Kansas City, and the University of Kansas.

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Episode Three: MK12

MK12 creates award-winning short experimental films and title credits for famous features. Take a look.

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Episode Eight: Kevin Willmott, Benjamin Meade and Sean Hill

Check out two filmmaking stars of KC cinema and an actress who shines in a Gary Huggin’s film.

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Episode One: Bruce Branit

The FX artist shares 2 films showcasing his visual effects artistry. He also shows how he built a digital cinematic world.

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Episode Eight: Timothy Harvey, Jim Schweers and Brian Boye

Get the scoop on the Independent Filmmakers Coalition of Kansas City and see 2 of its members’ comic films.

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Episode Two: Bryce Young, Turner Baietto, Michelle Davidson, Joicie Appell and Amber Rapp

Discover the Withered World web series and view one of its webisodes. Plus, a veteran actress appears in two films – one comic and one creepy

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Episode Nine: Justin Gardner

The filmmaker showcases 3 films that have made a splash on the film-festival circuit.

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Episode Three: Todd Norris

The Emmy-award winning director and cinematographer shares films showing that he can master any genre.

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Episode Eleven: Terence O’Malley and Randall Moore

Local documentarian brings Kansas City history alive in a trilogy of films featuring a President, the mob, and a fashion scion. Plus, dental me rcury amalgams get a thorough examination.

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“Article 99”

By Patricia Hamarstrom Williams | October 5th, 2018

CLICK HERE: Plot and Description at Wikipedia BUY TICKETS

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CINEMAKC LEGACY RETURNS: Locally Made ‘Article 99’ To Recognize Veterans In Film

By Patricia Hamarstrom Williams | October 5th, 2018

BUY TICKETS Kansas City, Mo. – CinemaKC, a non-profit film organization which spotlights films and filmmakers in the area, will partner with sponsor KC Film Office at Visit KC, to present Article 99,  the second in a series of classic feature films that were filmed in the region with Kansas City locations, cast and crew.…

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“Article 99” Trailer

By Patricia Hamarstrom Williams | October 4th, 2018

CLICK HERE FOR ARTICLE 99 TRAILER Article 99, made by director Howard Deutch and starring Keifer Sutherland, Lea Thompson, Ray Liotta, and a who’s who of actors will screen Friday, November 9 at  7:00 PM at the Screenland Medallion Theatre at Plexpod Westport Commons, located at 300 E 39th Street in Kansas City, Mo.  Prior…

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REVIEW: ‘Jurassic World: Fallen Kingdom,’ empire of the senseless

By Johnny Szlauderbach

  When Steven Spielberg unleashed Jurassic Park exactly a quarter century ago, the wunderkind responsible for the ur-blockbuster finally synthesized the apex summer tentpole. The material was junk, but Spielberg transformed Michael Crichton’s schlocky, pseudoscientific tome into a featherweight behemoth of all-ages movie magic. Other, more interesting directors were considered; imagine the cruel splatter-fest Gremlins’s…

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REVIEW: ‘Hereditary,’ genetic disorder

By Johnny Szlauderbach

  Psycho birthed the modern horror genre and, quite appropriately, fractured it in two: the shrewd and the artful. Shameless about their own junkiness, the former function explicitly as thrill rides (The Shining, The Conjuring); the latter harbor transcendent ambitions, couching their frights in atmosphere and metaphor (The Innocents, It Follows). There’s some crossover, of…

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REVIEW: ‘Isle of Dogs,’ elements of style

By Johnny Szlauderbach

  It’s easy to read a kind of progression into each new Wes Anderson movie. The last two have seen Anderson retreat even further from a recognizable reality and deeper into his own obsessively appointed imagination while, for the first time, invoking something bigger than the emotional immaturity of privileged men.   The amorphousness of…

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