Article 99 + Q&A and VIP reception

Join CinemaKC at the Screenland Medallion Theatre at Plexpod on Friday, November 9 for a special screening of the KC-set, post-Vietnam thriller. Click here for tickets and info.

Episode Ten: Patrick Rea – Part Two

The director goes for comic relief and dramatic effect in 2 films.

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Episode One: Meagan Flynn, Jennifer Friend, Timothy Friend, Kelsey Amara and Dotty Hamilton

Learn about K.C. Women in Film & TV and the Kansas In ternational Film Festival. Plus, watch a short about how a quest for perfection threaten s a chance for happiness and two shorts with distinctive visual styles.

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Episode Six: Jennifer Seward-DeRock, Bradley J. Lincoln, I rene Delmonte, Krystal Heib, Bryan Colley

Find out what’s up with the Independent Filmmakers Coalition of K.C. and the K.C. Screenwriters group. Plus, see a local couple’s sci-fi drama and Zac Eubank’s unusual love story.

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Episode Eight: Timothy Harvey, Jim Schweers and Brian Boye

Get the scoop on the Independent Filmmakers Coalition of Kansas City and see 2 of its members’ comic films.

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Episode Twelve: Anthony Ladesich

The director and cinematographer shows how music inspires him and why pregnant women shouldn’t be ignored.

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Episode Nine: Stephen Goldblatt and Jeff Beith

Find out why Bazillion is valued for its visual creativity.

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Episode Two: Bryce Young, Turner Baietto, Michelle Davidson, Joicie Appell and Amber Rapp

Discover the Withered World web series and view one of its webisodes. Plus, a veteran actress appears in two films – one comic and one creepy

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Episode One: t2 + Back Alley Films

See what the amazing minds at T2 Studios have created.

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Episode Four: Outpost Worldwide

Travel with Outpost Worldwide as they capture interesting places and people.

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Episode Eleven: Terence O’Malley and Randall Moore

Local documentarian brings Kansas City history alive in a trilogy of films featuring a President, the mob, and a fashion scion. Plus, dental me rcury amalgams get a thorough examination.

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“Article 99”

By Patricia Hamarstrom Williams | October 5th, 2018

CLICK HERE: Plot and Description at Wikipedia BUY TICKETS

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CINEMAKC LEGACY RETURNS: Locally Made ‘Article 99’ To Recognize Veterans In Film

By Patricia Hamarstrom Williams | October 5th, 2018

BUY TICKETS Kansas City, Mo. – CinemaKC, a non-profit film organization which spotlights films and filmmakers in the area, will partner with sponsor KC Film Office at Visit KC, to present Article 99,  the second in a series of classic feature films that were filmed in the region with Kansas City locations, cast and crew.…

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“Article 99” Trailer

By Patricia Hamarstrom Williams | October 4th, 2018

CLICK HERE FOR ARTICLE 99 TRAILER Article 99, made by director Howard Deutch and starring Keifer Sutherland, Lea Thompson, Ray Liotta, and a who’s who of actors will screen Friday, November 9 at  7:00 PM at the Screenland Medallion Theatre at Plexpod Westport Commons, located at 300 E 39th Street in Kansas City, Mo.  Prior…

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REVIEW: ‘Jurassic World: Fallen Kingdom,’ empire of the senseless

By Johnny Szlauderbach

  When Steven Spielberg unleashed Jurassic Park exactly a quarter century ago, the wunderkind responsible for the ur-blockbuster finally synthesized the apex summer tentpole. The material was junk, but Spielberg transformed Michael Crichton’s schlocky, pseudoscientific tome into a featherweight behemoth of all-ages movie magic. Other, more interesting directors were considered; imagine the cruel splatter-fest Gremlins’s…

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REVIEW: ‘Hereditary,’ genetic disorder

By Johnny Szlauderbach

  Psycho birthed the modern horror genre and, quite appropriately, fractured it in two: the shrewd and the artful. Shameless about their own junkiness, the former function explicitly as thrill rides (The Shining, The Conjuring); the latter harbor transcendent ambitions, couching their frights in atmosphere and metaphor (The Innocents, It Follows). There’s some crossover, of…

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REVIEW: ‘Isle of Dogs,’ elements of style

By Johnny Szlauderbach

  It’s easy to read a kind of progression into each new Wes Anderson movie. The last two have seen Anderson retreat even further from a recognizable reality and deeper into his own obsessively appointed imagination while, for the first time, invoking something bigger than the emotional immaturity of privileged men.   The amorphousness of…

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